Wednesday, September 10, 2008
Radio Silence: A Selected History Of American Hardcore Music. By Nathan Nedorostek & Anthony Pappalardo
Neck just recieved this in the mail today and I only had a few minutes to flip through but immediately knew I had to throw a post up about it. I think most people in the hardcore scene felt pretty let down by Steve Blush's "American Hardcore", it was still great to read some of those interviews and see those pictures of bands you never thought you'd see in a book on a shelf in Borders. The same for the film, while most of us were griping about the bloated 'heroes' of hardcore talking about how punk was dead, it was still great to see snippets of the Big Boys or the Dicks....even for a second. I guess "Fucked Up And Photocopied" and its sequel "Punk Is Dead, Punk Is Everything" managed to capture the aesthetics of hardcore flyers and art....but still.... where was the definate look of hardcore???? Well, I think this book might be it.... I haven't dug deep yet, and when we do, we will post up our thoughts, but on first viewing...this book looks astounding. Featuring never before seen pictures, shirts, sleeve mock ups, lyrics, set lists and more....this book makes your mouth water. I suggest you get a copy here... and in the meantime, here are are a couple of stills and the posting from the guys themselves on their myspace account:
"Hardcore music emerged just after the first wave of punk rock in the late 1970s. American punk kids who loved the speed and attitude of punk took hold of its spirit, got rid of the “live fast, die young” mind-set and made a brilliant revision: hardcore. The dividing line between punk and hardcore music was in the delivery: less pretense, less melody, and more aggression. This urgency seeped its way from the music into the look of hardcore. There wasn’t time to mold your liberty spikes or shine your Docs, it was jeans and T-shirts, Chuck Taylors and Vans. The skull and safety-pin punk costume was replaced by hi-tops and hooded sweatshirts. Jamie Reid’s ransom note record cover aesthetic gave way to black-and-white photographs of packed shows accompanied by bold and simple typography declaring things like: The Kids Will Have Their Say, and You’re Only Young Once.
Radio Silence documents the ignored space between the Ramones and Nirvana through the words and images of the pre-Internet era where this community built on do-it-yourself ethics thrived. Authors Nathan Nedorostek and Anthony Pappalardo have cataloged private collections of unseen images, personal letters, original artwork, and various ephemera from the hardcore scene circa 1978-1993. Unseen photos lay next to hand-made t-shirts and original artwork brought to life by the words of their creators and fans. Radio Silence includes over 500 images of unseen photographs, illustrations, rare records, t-shirts, and fanzines presented in a manner that abandons the aesthetic clich’es normally employed to depict the genre and lets the subject matter speak for itself. Contributions by Jeff Nelson, Dave Smalley, Walter Schreifels, Cynthia Connolly, Pat Dubar, Gus Peña, Rusty Moore, and Gavin Ogelsby with an essay by Mark Owens. "